Ebook Free , by Heidi Diehl
Check-out ist der Typ von sollte jeden Tag tun. Wie, was Sie Ihre täglichen Aufgaben tun, essen oder tun Sie Ihren Tag zu Tag Aufgaben. Neben jetzt, warum lesen sollte? Überprüfung könnte einmal mehr, helfen Ihnen, neue Art und Weise zu finden, in dem Sie auf jeden Fall besser zum Leben kaufen. Das ist nicht das, was Sie als die Verantwortung rufen. Sie können als zusätzliche Aktivitäten , By Heidi Diehl in der zusätzlichen Zeit überprüfen. Es wird nicht ebenfalls verpflichtet Sie es für viele Web-Seiten zu lesen. Einfach, aber auch von den Schritten, wie Sie können nur sehen, bemerkenswert diese Publikation wie.
, by Heidi Diehl
Ebook Free , by Heidi Diehl
Millionen Vorteile der Veröffentlichung alle werden genommen, wenn Sie nicht nur sie haben als Ihre eigene. Es wird sicherlich stattfinden, wenn Sie lesen, Seite für Seite überprüfen, um am Ende. Außerdem lesen Sie es sehr gut könnte Ihnen helfen, die Lektion zu lindern zu erhalten. Die Lektion und Vorteile der Führer, wie wir Zustände können unzählige sein. Sie sind möglicherweise nicht bewusst, dass das, was Sie fühlen, wie auch Sie jetzt am Ende als einige Teile Vorteile eines solchen Buches Überprüfung vorher wirklich.
In dieser Situation ist, , By Heidi Diehl für das wirksamste Analyse Produkt gewählt. Diese Publikation hat einige Elemente sowie Gründe, Sie sollten es lesen. Erstens wird es über den Inhalt, die geschrieben wird. Es geht nicht um das extrem stationäre Analysematerial. Dies hat damit zu tun, wie diese Veröffentlichung werden Sie sicherlich beeinflusst Analyse der Praxis haben. Dies ist äußerst interessantes Thema Publikation, die in dieser aktuellen Zeit bekannt gewesen.
Außerdem wird diese Publikation zusätzlich durch eine von einer der beliebtesten Schriftsteller im Land geschaffen. Also, wenn Sie den Autor so sehr zu schätzen wissen, werden die Sammlungen der Zusammensetzungen beenden. Aber, wenn Sie nicht wirklich Nachfolger des Autors liegen, könnten Sie immer noch verlieben , By Heidi Diehl aufgrund der Tatsache, dass man sicherlich nur verstehen, wie der Autor das Material an die Leser und die Gesellschaft sagt. Sie können diese Veröffentlichung als eine der genannten Angaben machen verwalten Sie wirklich viel mit diesem Buch gewürdigt zu verdienen fühlen.
Nach dieser Veröffentlichung erhält, wird es sicherlich besser, wenn Sie es so schnell wie möglich zu überprüfen. Diese Veröffentlichung wird eine Verbindung sicherlich die Erklärung sowie Faktoren, warum dieses Buch am meisten gewünscht. Es werden die Methoden, die Sie die neue Funktion erhalten sowie Fähigkeiten weit besser sein. Natürlich wird es Ihnen sicherlich helfen, die Probleme der Zieldatum Arbeitsplätze zu begegnen. , By Heidi Diehl ist wirklich substantielle zu tun und zu erhalten, so, welche Art von Veröffentlichung Inhalte, die Sie jetzt benötigen? Finden Sie sie in den Checklisten dieser Website.
Produktinformation
Format: Kindle Ausgabe
Dateigröße: 2186 KB
Seitenzahl der Print-Ausgabe: 336 Seiten
Verlag: Houghton Mifflin Harcourt (18. Juni 2019)
Verkauf durch: Amazon Media EU S.Ã r.l.
Sprache: Englisch
ASIN: B07FKG88NK
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Durchschnittliche Kundenbewertung:
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Amazon Bestseller-Rang:
#726.544 Bezahlt in Kindle-Shop (Siehe Top 100 Bezahlt in Kindle-Shop)
Heidi Diehl's complex and involving family novel moves between the 1970s and 2008, between Germany and the U.S., and among five different points of view. She has approached this seemingly daunting literary task with skill and verve. The novel is populated with a variety of characters creating unusual and often fascinating works of art, both visual and musical, and there's a vivid sense of place, whether the setting is Dusseldorf, Germany, or Eugene, Oregon. This is a thoughtful first novel by a young writer who is clearly on her way up. Unsurprising that it has made so many recommended reading lists!
What a wonderful book about a The lifelines of the characters are so beautifullydescribed and their thoughts, their considerations, their questions sorichly examined. There are many themes - time, space, the different placesone finds oneself during the course of a life. Being a German American,I was particularly drawn to the experience of a child growing up withGermany’s history and heritage, the burden, the shame, the struggleto be free of it, the desire to be born anew.The author, Heidi Diehl left me with this comment: ..."The randomness of comfort"...A fine, thoughtful book I still carry in my mind.
I have bought more than one copy so friends can enjoy Heidi Diehl's terrific writing as much as I do!
It took me a long time to finish this novel, alternately losing interest and then gaining curiosity again. A domestic and historical drama, it’s also a concept novel about artists and their mediums (music, painting, photography) and art’s intersection with life, including heritage, memory, time, and the spatial world. The title also points to the novel’s blended German and American families, and links latent and unresolved secrets and lies that divide them. The family’s odious skeletons symbolically mirror Germany’s shame from the events of WW II. However, the “secret†or misapprehensions that broke a marriage apart never gripped me the way the author intended.The story alternates between the 1970s and 2008, from Düsseldorf, Germany to Eugene, Oregon, with a finale in Berlin. Louise is the mother of 35 year-old Elke, her daughter with her first husband, Dieter, a musician, who she met while in art school in 1970s Düsseldorf. They were so young when they met and had a baby, and the marriage essentially ended when Louise returned to the states to care for her ailing mother, and never returned to Germany. Both Louise and Dieter were carrying a heavy emotional burden that they couldn’t reconcile.Back in Eugene, Louise met Richard, a photographer and urban planner, who she has now been married to for thirty years. Their avant-garde musician daughter, Margot, is now the age that Louise was when she lived in Germany. As the novel begins, Elke asks Louise to accompany her to Düsseldorf to attend her grandmother’s funeral. This sets up an awkward reunion with Louise and Dieter, who she hasn’t seen since Elke’s high school graduation in Eugene.Meanwhile, Louise expects Richard to stay home and snap the recurring timed photo of a visual project she has been working on for decades on their property. He's concerned that their marriage is threatened by the unfolding of a distant history that he didn’t share, and a fraught memory that they did. Meanwhile, Margot is on a European music tour with her techno music band, another event for Louise and Elke to visit together.The author develops her characters well, but there are too many events and issues that she attempts to integrate. Instead of a seamless story of life and the difficulties reconciling the past and present (and Germany’s past and present), I felt that the narrative meandered. Her exploration of conceptual music and art was fascinating, and I saw how the elements applied to the themes, but she spread herself too thin.In her story, Diehl embraces the concept of “desire lines†or desire paths. These are the visible lines or paths that have resulted from people who make shortcuts or freewheeling tracks through the designed or natural landscape. Our lines give feedback to the land and to the community, and also reveal where people refuse to tread. These ideas fit squarely with Diehl’s themes in LIFELINES. The civil disobedience of desire lines mirrors the intractable messiness of living, despite our desire to control our own narratives, or lifelines.“Spatial nudges: a notch in the hedge, a line in the grass…Years and years together. They’d given each other that.†These concepts are intrepid, but got buried for me as a reader, because I was also balancing all the elements of avant-garde music and ongoing, multiple threads. Heidi Diehl is a lovely and thoughtful writer (and is nothing like the witty, sardonic Meg Wolitzer, which she is wrongfully compared to). She may have made some missteps here, but I will keep an eye out for her next novel. Not bad for such an ambitious debut.
I kept reading this well after I’d stopped being interested in the characters and the outcome, perhaps hoping for an insight that would make the read worthwhile. Sadly, that didn’t happen. One character did something that was “out of character,†but remained in character while doing it. (No spoilers.)So, the story switches back and forth in time between the 1970s and 2008. The main protagonist is the artist Louise, who accepts a fellowship that pays for her to study art at a school in Düsseldorf, Germany, in 1971. There, she meets Dieter, a carpenter and a musician of sorts, falls in love, gets pregnant, gets married. When her mother becomes terminally ill in Oregon, Louise returns home with her infant daughter, Elke, and essentially ends the marriage. She marries again, to Richard, an urban planner and professor, and has another daughter, Margot. In 2008, Dieter’s mother, Elke’s grandmother, dies, and Elke asks Louise to accompany her to the funeral in Germany.As one might imagine, all kinds of complications ensue, and in the flashback chapters we learn of all the complications that lead to them. Diehl, the author, switches point of view as well as time. However, she stays with a third person narrator throughout, so there is always a distance between reader and character, a sense of observing rather that experiencing what the character is doing and feeling. This is a major flaw. The second major flaw is Diehl’s expository style. It’s not exactly journalistic, but she insists on telling us what happens rather than showing us. Third, the focus on rather strange modern music is more than a little esoteric and strains the readers patience.Some of the characters are interesting, to be sure. But not a one of them is truly lovable. And, it takes so much patience to finish this book (really — the ending seems never to end.) that we should have been given some emotional substance to invest in.All in all, there are kernels of interesting stuff in the book, but I can’t recommend that a busy person make time to read it.
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